Friday, July 13, 2007

Sugarcain Entertainment Spotlights Gina Catalino

"Gina Catalino’s “Swept in Sound” is the perfect accompaniement to any summer get together "

Link to artcile:

Gina Catalino / Internet Radio

Gina Catalino July's Featured Artist on MPYR RADIO!!! 

Other great Internet stations playing Gina Catalino:

Tuesday, June 12, 2007

Gina Catalino on "The Radar Report"

Gina Catalino featured on XM Satellite Radio (XM 43) "The Radar Report" 

1-hour show featuring 13 up and coming artists!

Gina Catalino "Swept In Sound" album review by



by Gary Schwind of

One thing is immediately noticeable about Gina Catalino. She just lets her voice be. In an era when female vocalists force it and go up and down through their range for no real reason, it's refreshing to hear someone that sings. Frankly, it's not only refreshing, it's good. Gina Catalino has a smooth even voice that puts me in mind of someone like Carole King.
The album begins with a kind of jazzy, funky tune called "11:32 PM." This is a real good tune about missing someone shortly before midnight and a strong way to start the album. This song includes the lyrics "I'm wishing away Los Angeles." I'm sure she's not alone there.

"Blue Eyes" is a soulful song that reminds me of both Norah Jones and Jewel. That is to say…Jewel when she sings in her normal voice, not when she's doing her best Muppet voice. "Blue Eyes" is probably my favorite track on this album simply because it contains the kind of soul you just don't get very frequently. This is one you might want to put on repeat.

Gina Catalino is a talented singer/songwriter. One thing I can say with a great degree of certainty is that she feels what she sings. She is not just going through the motions or making an album because she can. It's easy to tell that every note and every word means something to her. Not only that, but she moves easily between folk ("Move Me"), jazz ("The Walk," "Foolish"), and soul ("Here & There"), performing with equal aplomb no matter what style she chooses. This album does have one flaw…it's too short. At less than thirty-five minutes, she definitely leaves you wanting more (much more).

Gina Catalino - Swept in Sound
Rating: 4 STARS

Wednesday, April 11, 2007



Gina Catalino is a hot new talent who's debut CD, Swept In Sound, was released in early 2007. Gina is a fresh-faced beauty with an equal amount of talent as a singer-songwriter that it's easy to be swept away by the whole package and that bodes well for her future because she'll hook you and reel you in one way or the other. Originally hailing from New Hampshire Gina brought her natural style and aspiration first to L.A. and then to the Big Apple where a lot of top level musicians would eventually join her on her first full-length release. The disc opens up with a jazzy one-two punch of "11:32 p.m." which tells the tale of her struggles in Los Angeles and "Foolish" which bops along on a hooky chorus. This record jumps around and delves into many genres from jazz, folk, blues and pop but it's all tied together nicely by Gina's plaintive and, at times, vulnerable vocals which are always soulful and sultry and delivered with a refined clarity that jumps out of the speakers. The best tracks are the numbers featuring the understated production which lets Gina shine on vox and acoustic guitar but there is tasty accompaniment on piano, lead guitar and horns that is threaded throughout the CD providing a uniformly cohesive sonic experience. Gina's lyrics are wise beyond her years, intelligent and insightful and her compositions offer a real personal glimpse into the life of this rising star. "Move Me" is a song about love and rejection that is the most moving moment on the album. "Nobody's to Blame" finds Gina excelling at the moody up-tempo rocker which has a Jewell meets Edie Brickell meets Nelly Furtado vibe that proves Gina Catalino is a force to be reckoned with. Check out Gina Catalino's debut today and you'll be swept up in the sound - and vision. You'll have no one to blame but yourself if you don't!

Recommended Tracks: 
(5,7,10) [USA/NY 2007 - web] (Reviewed by Richard J. Lynch for - 2007/03/15)

Wednesday, April 4, 2007

Video of Gina Catalino's Album Release Party

"Swept In Sound" release party

Acoustic versions of 1132pm, I Believe, Nobodys To Blame, & Move Me.

Thursday, March 22, 2007

Gina Catalino Review & Interview with Toaster Magazine


Look & Listen: Damn, Gina!
by Robert Aguiar

The awards season is over and the books on 2006 are officially closed. The music biz, like the economy, goes through cycles. Suffice it to say, we're in need of a turnaround year. So I'd like to turn your attention to the first big deal of the year...

Artist Spotlight: GINA CATALINO

Discoveries often feel like major accomplishments for the discoverer. Remembering back in 1999, I was in Portugal and people kept telling me about this girl Nelly Furtado, who was coming out into the scene, whom I needed to check out. Sure enough, that evening I witnessed a star being born before she made her United States splash months later. I had a similar experience regarding Jill Scott in Chicago a year before that. Now, in 2007, it's my pleasure to introduce you to Gina Catalino. A woman whose music spiritually embodies an organically delicious sound juxtaposed with soul-baring lyrics and a commanding voice.

Born and raised in New Hampshire, Gina, like many aspiring musicians, made her way to Los Angeles pursuing her dreams and, of course, the sun. After a year of various jobs and some gigs here and there, money ran out and, with it, confidence and hope. The issue wasn't talent as much as it was substance. She was being lauded for her voice but her lyrics weren't meaty enough. Did I mention she was 19? After temporarily moving back in with the folks, she situated herself in a little town by the name of Manhattan, New York. Drawing from the trying experience along with a growing pain here and there, Gina emerged with a newfound writing ability.

The break arrived in March of 2006, when a producer by the name of Tom Arlotta approached her about a collaboration project. The result was Keep Showing Me, which was featured in a full-length independent film called Hardrock starring Michael Wright (OZ) and Raekwon of Wu-Tang. Together, they have now created Mark Left Entertainment Inc, in which the launching of Ms. Catalino's career is project number one. She's classically modern, both in her style and her beauty. The contradictions flow onto her music for a riveting ride into a journey that has finally taken off and only just begun...


At first listen, one begins, as most do, with comparisons. Let me spare you the exhaustion. From song to song, you label her everything from the next Norah Jones, to the newest soul sister, to Ani DiFranco meets Jewel, until you finally settle on somewhere between Fiona Apple and Erykah Badu. It's all pointless because with each new listen, one comes to terms with the fact that they're listening to Gina Catalino and once you get to know her (via her music) you heart's appreciation is overshadowed by your mind's elation.

I don't recall a debut this expansive (in sound and quality, for that matter) since Nelly Furtado's Whoa Nelly! The versatility in her sound and the maturity in her lyrics are all the more impressive once one realizes she's the ripe old age of 22. Much like Furtado, she finds herself delving into many genres and excelling at all of them. The disc has a little something for everyone: Caribbean soul ("11:32 P.M."), jazzy be-bop ("Foolish"), coffehouse folk ("Blue Eyes"), glorious pop ("I Believe"), improvisational neo-soul ("The Walk") and coming-of-age acoustics ("Apple") to name just a few. Her reverberation has a timeless feel to it, as if it were a greatest hits compilation. Pianos twinkle, courtesy of Brian Charette (who has worked with Chaka Khan, Cyndi Lauper and Joni Mitchell), harps harmonize with tambourines, trumpets and saxophones coexist seamlessly, guitars riff via Ms. Catalino herself along with John O'Toole, and violins soothe (courtesy of Angela Sullivan). While the album as a whole most definitely feels like a collaboration, one never questions who the star of the show is. Gina touches on issues we can all relate to ("the money was spent but the bills weren't paid and there's things on my mind while I'm getting laid and I know nobody's to blame") with vulnerable confidence.
There's a delicious ambiguity to her lyrics as well that makes one feel inclined not to ask her what they mean and rather just formulate an opinion of their own. In "The Walk," she says all of four phrases at one time ("what if they don't/is it ok/was it that way/what did we say") and the rest of the brief number consists of the songstress improvising with ze da de's, boo be bop's and zit dat um do's. Perhaps the song is about a relationship and "their" inability to communicate, or maybe it's just Gina having a good time with wordplay and sound. Nonetheless, it's beautiful and serves as the perfect closure to this record. Similarly, "Apple"could be a metaphor for New York City or, simply, childhood. The only complaint is that the set is short-lived. This is a recurring theme throughout the album. It's as if Gina's giving us a sample of everything but we never get a full course of any one thing. Debuts are supposed to do just this, leaving the listeners wanting more and hoping that the artist then tackles each genre separately by dedicating an album to each. Ambitious? Perhaps, but after making a few laps around the CD, you'll be convinced if anyone were up to the task, it's Ms. Catalino.

The Interview: HERE & THERE with GINA CATALINO

What are your thoughts on Los Angeles vs. New York?
Sun vs. true Happiness.

In Swept in Sound there's no one dominant genre that takes over thematically. While that brings out your versatility, there has to be one you prefer to perform/sing or feel most comfortable playing; which one is it?
While I truly enjoy every genre, my singing/songwriting stems from a love of folk music. With the exception of "I Believe" and "The Walk," each track on the record originated from traditional folk.

Speaking of preferences, is there one song on the album you're either more proud of, relate to most, or you find most relevant in your life right now?
I guess you can say I look at each song like parents look at their children, it's hard to choose one over the other. It was important for me to not limit myself and or force myself into a particular genre or sound. I feel the album reflects many different moods and styles just like life.

Your lyrics display a maturity, in general, unheard for someone your age. Where does this stem from? And besides music, what else "moves" you?
My writing stems from an inability to communicate. Music and writing have always been a way for me to express the feelings I want to convey but never can. As far as what moves me other than music, its the little things in life. I pay close attention to detail. I'm moved by art, culture, old people, children, good food, roller-coasters, time with people that I love, warm weather, running, poetry, books, my dad's pizza, sand in my toes, and staying up long enough to see the sun rise.

If you had a choice to collaborate with two artists, one living and one dead, who would they be?
I am totally in love with the last two albums that Ray Lamontagne has put out. I sometimes cover his song "Jolene" at my shows. Last year I saw him in concert at Prospect Park in Brooklyn, New York and his song "Burn" brought me to tears. It would be the honor of all honors to one day share the stage with him. As far as artists that are no longer with us, who wouldn't want to do a song with Bob Marley?

We're going to play overrated/underrated. I'm going to say a name and you'll respond with one or the other. Norah Jones? Gwen Stefani? Mary J Blige? Carrie Underwood?

Let' just say Norah Jones and Mary J Blige are underrated.

If there was a movie out there made about the first 22 years of your life, what would it be titled?
I think they already made the movie, and it's called Dazed and Confused.

Last but not least, how do you like your toast?
I like wheat toast smothered in creamy Skippy Peanut Butter...yummy.

For more information, visit
Swept in Sound is currently available for purchase at iTunes and at

Scene & Heard by J.L. Stevens

Scene & Heard
By J.L. Stevens

All in the familyYou gotta love myspace, it can give you some of the most candid quotes about performers. Such as this one for Gina Catalino, the sister half of Rye native siblings Justin and Gina Catalino, who will perform at Muddy River Smokehouse in Portsmouth on Sunday, July 16. Posted on July 4, "Charles" says, "My word; Babelicious and talented, a double threat!" After listening to Gina's "I Believe," and viewing her beachwear on, we would have to agree. They say she sounds like Sarah McLachlan meets Lauryn Hill.And Justin's not too shabby either. A 2005 New Music Weekly "Best New Artist" nominee, his songs have been heard on the "90210" for the younger set, "The OC." The Catalinos will be sharing a stage for the first time in their hometown, and since one sibling (Gina) regularly performs at The Rockwood Music Hall in NYC, and the other's Web site ( says he's based in So. Cal, it's fair to say this may be the last time we see them at this particular venue. Each will perform a set of original music beginning at 6 p.m., there is no cover for this 21 plus evening of acoustic music.